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Unconditional

Love turns the other cheek

absorbs the sting

lingers on the memories

of better times

treads water

holds back tides

hides fear

to steer its course

through arid land

sows understanding

to a hostile soil

waits faithfully

waits patiently

for seed to grow

from deep abyss

to planted kiss

then

like a dolphin

basking in the early morning glow

love turns the other cheek

 

 

love

◄ Telescopes and Things

Olympic Dreams ►

Comments

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Graham Sherwood

Sun 24th Jun 2012 11:54

I detected a Pagan edge to this Isobel, quite elemental. Plenty of earth and water, not much air and fire though. Could there be a reason for this? Either way it held my hand, made me feel warm. Graham

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Cate Greenlees

Mon 11th Jun 2012 13:55

I think Laura has said it all for me. The depth of love you feel for your children is like no other, and no matter what happens it is impossible to turn off.
I think we all will read something of our own lives into a piece like this, which is what makes it so truthful and touching.
Cate xx

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Harry O'Neill

Sun 10th Jun 2012 15:18


I agree with Anne and Steve that this has prayer and faith in it, but has `humanistic` - rather than `religious` - feel to it.

It would sound more abnegationally religious if the `hopeful` lines seventeen,eighteen and nineteen were taken out and it ended as it began.

Streets ahead of the usual bitter `love` stuff we get on here though. It deserves the praise.

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Chris Co

Sun 10th Jun 2012 02:03

Quote
sows understanding
to a hostile soil
Unquote

I like that a lot- well thought.

Best

Chris

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Noetic-fret!

Sat 9th Jun 2012 12:45

Nice one Isobel, enjoyed this and particularly liked the reference to dolphins near the end.

Best wishes,

mike

x

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John Aikman

Sat 9th Jun 2012 04:53

You're right, I meant two waits, no idea why I said two hides. I liked how holds turned to hides (with the nifty rhyme of tides) and I was wondering if you could repeat the trick with waits....but then I couldn't think of a way of doing it and, besides, if you meant to use two waits then it would be daft to change it. I guess I was really just showing that I'd read it good and proper and listened to it in my head.

Anyway, I loved it! Good to see you get back on that horse, so to speak : )

Jx

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Isobel

Fri 8th Jun 2012 23:13

Hello you lovely mutt - I can only see one 'hides' - unless I'm blind with looking at it... perhaps you mean the internal rhyme of 'tides/hides'...

I repeated 'wait' deliberately to get across the time span - the patience - the hanging on threads feel... if that makes sense.

We all have our different forte. I could never have written anything as subtle as your 'Under the Wire' poem if I tried. xx

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John Aikman

Fri 8th Jun 2012 21:45

Beautiful, although I think you've gone freeform just to prove a point...but, what a point!

I'd change the odd word...but, hey, that's just me. Not sure it needs the two 'hides'. Earlier you use the 'holds' 'hides' riff . I just wonder if you could have gone for an alternative for the second 'waits?...but now I sit and think...I can't come up with a better alternative (serves me right for being a smart ass). I'd, perhaps, just ditch the second 'waits'.

Lovely stuff.

You are so talented, it hurts.

Jx

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Isobel

Fri 8th Jun 2012 18:50

Thank you everyone - I'm delighted you like it, as it's the first thing I've written in a while.

It's interesting that you think it sounds like a prayer Ann - I'm glad it carries that level of depth.

Isobel x

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Yvonne Brunton

Fri 8th Jun 2012 18:06

wonderful.I agree with Julian about 'sows understanding'. Well done, very moving. xx

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Julian (Admin)

Fri 8th Jun 2012 10:12

Now that's writing: deep and shallow, open and elliptical, hopeful yet fearful. fave lines: sows understanding/ to a hostile soil. There's a film in that. Wow.

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Ann Foxglove

Fri 8th Jun 2012 09:35

It sounds like a prayer somehow.

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Laura Taylor

Fri 8th Jun 2012 09:27

Great piece Isobel - one of the best I've read by you, if not the best.

The title says it all, and I like how you've got the repetition of the first and last line, with all the implications of that 'turning' of the cheek. Loads of alliteration and assonance in there, and a sense of the profundity of love, especially for our children, which is after all the most unconditional of all love.

Fantastic piece.

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Lynn Dye

Thu 7th Jun 2012 22:55

Hi Isobel, nice to see you blogging again. I really enjoyed this, worth waiting for. x

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