The Hour of the Critic

 

I sit here convoluted; a heart with thoughts,

laddered, essential for a cause,

an impulse protector, and a radio knob

for outside contortions.

 

Intentions, the aches as habitual as breathing,

are safe as a puckering bud but, tasting

the back of my lips I find

a syndicate of vines,

thorning the future for fuck ups.

 

I fall over a root, sampling time,

cutting up my knees for art –

the grandiose, the profane,

each questioned limb retracts

in the refined weather of you,

and settling in between is a permanence,

a suspended child willing the will of work away.

 

It makes me stamp my feet –

I do not know how to stifle the human –

and reach for the stream of heaven

to burp in my veins,

diluted, like a victim of thought

un-thought,

forgetting that I sometimes reign the brave.

◄ The Rib

The Sculptor ►

Comments

Profile image

Ray Miller

Thu 27th May 2010 10:16

I used "unthought" in the last poem I posted, without being certain it's a proper word. So I'll assume it is now.I love your inventive way with language, without always grasping what you're on about, though that's not the be-all. Funnily enough, I thought the best line was the simple "It makes me want to stamp my feet".

Profile image

Andy N

Thu 27th May 2010 08:11

enjoyed this, marianne.. top banana in particular 'a suspended child willing the will of work away' but the language is generally pretty crisp and shows a lot of thought...

i enjoyed this! x

If you wish to post a comment you must login.

This site uses only functional cookies that are essential to the operation of the site. We do not use cookies related to advertising or tracking. By continuing to browse, you are agreeing to our use of cookies.

Find out more Hide this message