Caroline Smith and the poetry book 'that needed to be written'
“I thought this was a book that needed to be written – and that I was in a unique position to write it.” Caroline Smith is the wife of Labour MP Barry Gardiner, and has worked for him in his Brent North constituency office on immigration and asylum cases for a number of years.
She is also a poet, and earlier this year published The Immigration Handbook, a collection of stories of cases that are in turns heartrending, funny, often anger-provoking, and sometimes uplifting, too. She went on: “No one’s identified, all the names are changed – but in the deepest way, all these poems are true.”
Smith’s collection is published by Seren, and I’ve reviewed it for Write Out Loud. She was one of three Seren poets appearing at Stablemates, a regular event organised by Jill Abram at Waterstones in Piccadilly which showcases three poets from a single publisher on each occasion.
Introducing her poems, she said: “We do have a gallows sense of humour – we need that to survive. Some of the poems are funny. People are amazingly resilient and inspiring.” However, she warned that the climate she was working in was “getting much more difficult … it’s frustrating and depressing … we’re less able to help people. They almost don’t have time to claim asylum and make their case anymore.”
Introducing the first poem in her collection, ‘On Hold’, Smith said delay was a tactic used by the Home Office. A client began calling officials from a red phone box which is now long out of service: “Seventeen years have passed / with no answer.” A few years ago, she transferred files, and found she had amassed 32,000 pieces of correspondence from the government. Before she read the sad story of illegal immigrant ‘Valerie’, Smith said: “Some people we help aren’t angels, of course. They just have much heavier burdens than most of us have to carry.”
Part of the format of Stablemates is that Jill Abram conducts a brief Q&A with each poet before the start of their reading. I’ve been to poetry festivals where occasionally a badly-briefed committee member is roped in to do an interview when they clearly don’t know anything about the poet. Not here; Abram knows her stuff. She elicited from Tamar Yoseloff, a tutor who runs poetry and art classes, and who has collaborated with a number of artists in recent years, that “often the way into a poem for me is with an image”. Yoseloff read an ekphrastic poem called ‘The Black Place’ inspired by the Georgia O’Keeffe exhibition at Tate Modern, after an O’Keeffe painting of the same name. She said: “There isn’t any black [in the painting] … the black place is inside us.” Her poem refers to “the place inside the cave, where the sun can never reach”.
The poems are often about food and exotic locations, and are written in a sophisticated and humorous voice. Shepperd told the audience that of a lot of them came from her background in “aesthetic philosophy and critical theory … I bet you wish you’d stayed at home now. “ We didn’t, as it happens.
At the start of this satisfying, well-attended event Jill Abram read two of her own poems, including the recently published ‘At Sea in a Coffin’. Previous Stablemates, on the last Thursday of the month, have featured publishers Penned in the Margins, and Nine Arches Press. The next Stablemates, on 26 January, has Carcanet’s Kei Miller, William Letford, and Kate Miller on the bill.