Trombone Voluntary

On blue days, when the sun breaks the clouds,
I like to take my lunch by the courthouse.
You might call it a fetish. I crunch crisps
and criminally profile the coming and going.

What really draws me though, is the statue
at the centre of the square to Delius.
Every time I promise to listen to his music
and every time I never do. Instead, having eaten,

I circle the bronze leaves, with the green
and amber glass, and marvel at the beauty
of art; of art in a city without much -
even Sir Henry Irving died to get out.

I'm never sure if you are allowed to touch
civic displays. There's no red rope. I want to -
I want to - to contrast the heat and light,
find imprints of the sculptors fingers,

embrace the shadows of the stained glass
on the shit strewn slabs. But - I don't -
instead I jab it gently, so that if a court official
challenges me, I will say, "just seeing if it is bronze".

Today I am disturbed. At the mouth sized stage
of my second sandwich, a girl sits down,
on my bench; next to me. I at one end,
hand in crisp bag, sandwich hovering.

She takes the guitar from it's case, and
for no reason that I can see, begins to play
the Adagio, Concierto de Aranjuez No 2,
I know this because it was on an advert

and I liked it so much I bought the CD.
Not being the rude sort, I set my lunch aside,
and listen. All the while admiring,
and appreciating, Amber Hiscott anew.

She played the whole thing perfectly.
I thanked her, and said she should try busking.
"Fuck Leeds", she said.