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I SWORE I'D NEVER WRITE A VILLANELLE

(I was inspired by Trevor Alexander's excellent villanelle explaining the form to write in this song why I dislike it so much)

 

 I swore I’d never write a villanelle

A complex form which fails to satisfy

But mostly awkward on the ears as well.

 

The 2nd line deceitfully foretells

A further line to rhyme along with “I”

But bugger me! Not in a villanelle.

 

Yet still this fruitless expectation dwells

The verses come and go and pass you by

Remaining awkward on the ears as well.

 

And so you try still harder to dispel

“For God’s sake let it rhyme!” you’d hear me cry

That’s why I’d never write a villanelle.

 

But no! this clumsy form will just propel

Its onward dirge; no matter that you try

To hear the middle rhyme resolve as well.

 

For tired forms it has no parallel

I’ll shun the bloody structure, which is why

I swore I’d never write a villanelle

It’s awkward on the page and ears as well.

◄ My Life is Like Living on a Ship

BATCHELOR'S RECIPE (A Haikoopey) ►

Comments

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John Coopey

Tue 9th Apr 2024 19:50

I have, in fact, written a few, Stephen but I really do find them aurally unsatisfying. I see where you’re coming from, MC. My own boundary on what constitutes poetry is rhythm.
And thanks for the Like, Helene and Holden.

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Stephen Gospage

Tue 9th Apr 2024 17:49

I suppose you just can't help it, John. Very entertaining.

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M.C. Newberry

Tue 9th Apr 2024 17:40

Clever stuff! I remain intrigued how and why these poetical
"forms" came about. And who had the temerity to impose
them as "acceptable" upon those who pursued the pleasure of
writing and reading poetry. Why this obsession with control
that seems absent from what is called prose poetry yet
expected/demanded of those who like to write in rhyme?

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