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Central Hospital

A knowledge of History and English Lit

was as good as a torch or a candle

on the mazy staircases and corridors.

The front wards housed the acute admissions,

Jane Austen coupled with Thomas Arnold,

those but lately troubled or giddily hurtled

in and out of revolving doors.

Sense and Sensibility wed Muscular

Christianity; exemplars and guidance

for the minds out of time; the first heavy

steps of downward drift for the young man

convinced of his pregnancy, pushing

out gasps of pain in the cafeteria

when the foetus frequently kicked.

Until the day he slipped into Case Conference

and announced there'd been a miscalculation

and his period had just started.

 

We imagined that in due course he'd find

the back wards where catatonics posed

undecided, obsessives described perfect circles

and chronic schizophrenics orated

oracular monologues to the castle walls.  

The ward names were receding to obscurity,

the bit-players of history, nearly men and women

and sundry adjuncts, like Lady Jane Grey,

Anne Hathaway and Elizabeth Woodville;

as if a cruel joke were being perpetrated

and the administration blocks burst

with the sound of unquenchable sniggers.

Here were the grandiose deluded figures,

those abducted by spaceship on witnessing

Kennedy's assassination, who conversed

each day with The Eighteenth Angel

in line of succession, informally known as Sue.

 

His historical and personal regression

would plummet further thanks to modern medicine,

the body outliving the decline and rot

of mental faculties. Domiciled in overcrowded

dormitories named after only minor royalty,

the Lords and Earls of Beauchamp and Leicester,

where history paused and then arrested.

Where wanderers became walkers, then sitters

and babies, shrunk to vegetative stasis;

the stink of stale urine and compacted faeces;

the packing of bed sores and shaving blank faces.

Food and drink, waste evacuation,

dwindling visits, forgotten relations.

Only case notes bore glimpses that here was a human

and thumbing through records of former endeavours

provided much-needed respiration,

blowing colours back into frozen cheeks.

 

At our comfortable chairs in The School of Nursing

we read Erving Goffman on Institutions,

cribbed and crabbed the asylum-museum.

In theory, of course, we all wanted closure;

but off in the distance, beyond the horizon,

as remote as a workers' revolution.

Always this sense of an emanation,

a progress of sorts, a pregnant narration;

we little guessed how quickly outward ripples

dissolved at the edges; thought the thickness

of walls to be as permanently planted

as political and economic systems.

These were both twilight years and perestroika,

an evening so swift it passed unnoticed;

old certainties and communities vanished.

The new estate offers affordable housing;

the bell-tower survives in silent homage.

◄ Argentina!

Anything Goes ►

Comments

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Andy N

Mon 14th Jun 2010 08:19

enjoyed this, Ray and you finish it particularly well as it made me shiver without ramming home the point which is clever writing..

It's one to re-read I think as it's maybe a bit early for me this one but top banana!

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Ray Miller

Sat 12th Jun 2010 11:11

Thanks, Greg.Hilary Mantel has written about mental illness, hasn't she? There wasn't a Thomas Cromwell ward at that hospital but funnily enough, a few years later in another area I worked at one of the Care in the Community homes called Cromwell House. I do write a lot about mental illness, this, however, is distinct from the Mad History series I'm attempting.It was absolutely true of Central Hospital that there was a historical progression in the ward names - the worse your prospects were the further back in time was your ward name.

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Ann Foxglove

Fri 11th Jun 2010 20:31

I'm going to read this agian later - I know it's going to be good! But I haven't had my tea yet!

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Greg Freeman

Fri 11th Jun 2010 16:05

This is funny, shrewd and compassionate, Ray, and also extremely interesting. You learn a lot here. I liked the ward names "receding to obscurity" like poor young Lady Jane Grey, and of course, the irony that a lot of the patients believed they were these characters. I know of course that it's part of your sequence of poems about mental health care. I was also struck by your final two lines: we had a local former psychiatric hospital that was converted into homes, and one of the people who lives there now is Hilary Mantel, Booker-prize winning author of the historical novel Wolf Hall, that attempts to get inside the skin of Thomas Cromwell. Was there a Thomas Cromwell ward, perhaps?

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