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Bad Faith

Most often I spot them way off in the distance,

something in the gait and the weight of their symptoms;

the ill-defined tremor of repeat prescriptions

sets alarm bells ringing and I turn on a sixpence

or cross roads inventing a previous engagement,

catch a flower arrangement, bend to tie laces,

bury my head in shop windows replete

with cheap trinkets. I tread light on my feet 

but occasional spirits make cock-crow visits

or a patch of ice remains untouched by thaw,

throwing me off balance; I clutch at displacement

when meeting  ex-patients once more.

 

That's when my elbow shudders at the finger

as "Hello stranger" wraps around my shoulder;

I spin to a name I can't remember,

a drug, a diagnosis, or simply disorder.

The furrowed signs of distress and despond,

the failure to bond and exasperation,

the trial separations from errant husbands,

the scars and bruises borne by the infant,

the rooted abhorrence roared at the parents.

But I've shovelled empathetic epithets

and unconditional regard, all that dirty laundry

into yellow plastic bags for waste disposal;

I no longer dance to the non-judgemental.

What's once contemplated can't be unthought:

they take me at face value; I sell them short.

◄ Mad History: The Early Egyptians

Brown Study ►

Comments

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Anthony Emmerson

Thu 27th May 2010 23:21

Hi Ray,

Thanks for your comments on "Visiting Neil." Any crit/crib is always welcome and valued. I'm not sure if you've read the note I posted shortly after; this may put the piece in a slightly different context.

This immediately put me in mind of Eminem's work. Fantastic manipulation of half-rhymes/off-rhymes and assonances throughout, tricking and toying with your reader's expectations to create that almost staccato effect. I always admire your obvious technical skills; when they are matched by content and context it just gets better.

Regards,
A.E.

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Ray Miller

Thu 27th May 2010 10:32

Ta very much, Tommy, Dave and Andy.

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Andy N

Thu 27th May 2010 08:05

excellent stuff - lot of good lines but my favourite is 'the ill-defined tremor of repeat prescriptions'

andy n

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Dave Bradley

Wed 26th May 2010 21:58

Can but agree with the others. Outstanding

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Tommy Carroll

Wed 26th May 2010 14:41

This is very good.

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Ray Miller

Wed 26th May 2010 10:30

Thank you so much, Chris, Ann and Greg. I am fond of the first verse myself, one of the better things I've done. Don't like the 2nd verse so much, though, especially the last 6 lines, never seem to get them right.

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Greg Freeman

Wed 26th May 2010 10:04

This is magnificent, Ray. A poem about reality, but still very much a poem; fine language, structure and rhythm. You can't pick out one line that's not excellent. The final couplet is very powerful.

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Ann Foxglove

Wed 26th May 2010 09:36

What a fantastic poem! Had to log in specially to say that!

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Chris Dawson

Wed 26th May 2010 09:17

Utterly fantastic poem, reminded me of Tim Minchin's style, very sharp, no hiding behind bathos.
I do worry though about becoming a 'heart-sink' myself, as my list of ailments increases at each birthday! Ah well ... as you say elsewhere - a marathon, not a sprint. :)
Well written, enjoyed it very much.
Cx

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