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If we did

If we did

(and I don’t believe we should) –

but we could,

and I would let you –

I would lie there not thinking:

‘How futile is existence?’

because I am and

that’s what I’m doing

and I’ve started, so I’ll finish.

And, besides, I am a bit besotted

’though I don’t want to be – but,

if we did, here’s how I think things would be:

 

I would lie and wonder where my life was going

as we lay as lovers, underneath the stars,

in sheets of silk,

and you would feign excitement,

thrash around,

and beg for more.

But, I would feel no less repulsive than in all the years before,

and you would love me for a weekend

then state flatly that you’re bored,

and leave me on the pretext

of popping out to buy a bar of Dairy Milk.

 

But,

if we did,

and if you stayed,

and if I had the heavens’ embroidered cloths,

they’d be riddled with the heavens’s most rapacious moths

but would still possess a quality of the divine.

I would spread them out in front of you on the ground,

place them on an underlay and nail them down,

and you would sneer derisively and say you prefer boards

because you’d seen them on an episode of Grand Designs.

 

And if we didn’t – if we left it –

there would be an awful tension,

and I would always wonder:

‘What if we had done?’;

if we didn’t... what then?

And if it were another –and,

you, with your beauty, so young –

might you think about me at all

in the morning, when the sun

awakes you with a kiss,

grins as you notice the bottle of Rohypnol,

explains its name is Barry,

and asks you if you want to go again?

◄ The Water Sprite

Because the world is a cold, dark, lonely place ►

Comments

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DG

Fri 8th May 2009 19:55

Thanks all. I like the way most of the women focused on the incongruity of the last three lines to the rest of the poem, and most of the men just thought: Oh-ho! Dangerous nutter alert!"

Nabila, I'm way too influenced by early Eliot with regard to form - but this one's jerky even by that measure, but I'm not sure I'd change it. The stanzas are effectively paragraphs dedicated to separate points and the rhythms there, but is feathered in places. The line breaks are just wherever my little finger decided to hit a carriage return.

Malcolm - well spotted on the typo but I would have to consult Lynne Truss!

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Malpoet

Fri 8th May 2009 19:25

This is really very good. Very much enjoyed it.

"and if I had the heavens’ embroidered cloths,

they’d be riddled with the heavens’s most rapacious moths"

These two lines are excellent. Did we really have to have the second 's' in heaven in the second line?

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Anthony Emmerson

Fri 8th May 2009 18:47

Hi Dermot,
This was an alarmingly uncomfortable read - and I mean that in a good way, as I presume that's what your intention was! I liked (if that's the right expression) the way, without actually describing him, it painted a portrait of "Barry" in my mind. I'm glad you chose that name for your protagonist (no offence intended to any Barry reading this) as it would be the last on my list of alternative names for myself - simply because to me it screams nondescript! (Not that Anthony is anything extraordinary.) Clever and thought-provoking.
Regards,
A.E.

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Isobel

Fri 8th May 2009 17:47

Yes the ending is very shocking and makes you wince and want to turn away. I'm glad you explained yourself Dermot - it is so much clearer now. This is a very masculine poem - a woman would have written about the same theme so differently and not worried about letting people read her soul. You obviously do so we shouldn't pry any further. An excellent poem which really works although it also disturbs.

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Noetic-fret!

Thu 7th May 2009 23:36

I actually think to myself, shock n horror. The poem itself brings the reader in and you begin to smile, that is until the end. In all honesty, although i realize that this reaction was what you intended, it lost its credibility by favouring contoversiality. It leaves you feeling rather bitter, for having been drawn in, in the first place. i feel its a dark play of ones psychology, and although a very mature piece, im lost within the context it is said, or suggested it is written. Very thought provoking, but very dangerous.

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DG

Thu 7th May 2009 18:51

its a sarcastic continuation of the athropomorphosis of the sun into a person, whereby the sun isn't the only thing kissing her that morning and that thing is a bloke called Barry after a night to (not) remember.

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Francine

Thu 7th May 2009 18:46

Merci!
Ok... here is what threw me - perhaps a typo?

'grins as you notice the bottle of Rohypnol,
explains its name is Barry,'

its - meaning the bottle??? Or was it meant to be 'his' ...another person there?

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DG

Thu 7th May 2009 18:36

The date rape thing at the end is a bit of dark comedy really (because that's what I do). It serves several purposes:
1. I am a fan of a German poet called Heinrich Heine (whom I referenced in the Water Sprite)
2. The cold, cynical opportunism of Barry is a counterpoint to the viewpoint character's handwringing implausible projections used as excuses for inaction.
3. It instantly devalues all of the prior content to the status of being the set up lines for a sick joke. Once these lines are heard, an audience will forget what the rest of the poem was about such that it leaves no aftertaste, like a crisp white wine, and most importantly:
4. the effect of point three covers my tracks such as to provide a get out from any deep conversations that might otherwise occur at the end of a reading.

I use the above technique quite a lot.

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Isobel

Thu 7th May 2009 12:55

Yes - the ending intrigues me. I've worked out that Rophynol is a sleeping drug also used for date rape. Are you trying to say that had the girl/ you taken that chance, she might have ended up finding love instead of abuse?
On the whole a cynical piece - all love destined for failure or non expression - or should I have said a realistic piece? The ending also seems very wistful - I guess love is what we all want deep down really. Whether I'm right or wrong - I did enjoy it. Thank you.

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Francine

Thu 7th May 2009 10:43

I read this a few times DG and I really like it...
It is so unpredictable, yet I am a bit lost on the last 3 lines...
some explanation would be of great help...
if you are ever so inclined : )

<Deleted User>

Thu 7th May 2009 08:29

Since I joined In December, this is the first time I have seen a poem by you and it is GREAT!

LOVE IT


not sure of the form, but wording is good.

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Chris Dawson

Thu 7th May 2009 00:59

I was on my way to bed - 'cos I really am incredibley tired, and then I saw this - and started reading again. And as I'm reading I'm thinking: this is fantastic, fan-bloody-great!, and I have to keep stopping and going back to read bits because it's really very, very good; and then I'm nearly at the end... and I'm shouting .... go on! have to, man! just go for it! ... though very quietly, underneath my breath - don't want to wake the cat, after all. And then! And then....!
And then .... there are the last 3 lines. Humph!
Cx

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