Helen Shay's Edinburgh Review 6

entry picture
"Under Milk Wood", Dylan Thomas, performed by Plantlife Productions, C-cubed, Lawnmarket, 12.35pm.
Dylan Thomas' (pictured) classic was certainly performed, but somewhere in this production, the poetry got lost.
The large cast were young (and surprisingly, mainly English, considering the work is written so intrinsically for Welsh voices).  There was no shortage of energy, from the start of the 'bible-black night' through to the dawn and the long day of human drama which enfolds through this beautiful poetic narrative.  The audience sat on either side of the performance space to view the actors, who blended skillful physical threat re with the text.  Unfortunately, the overall effect of all this was not so much poetry in motion as confusion (not helped by some actors swapping characters at certain points).  Even the holding up of a blackboard with characters' names on them from time to time did not really serve to clarify who was who.  Some of the audience seemed enthralled by the physicality of the performance, but others (myself included) had to close their eyes in places, to absorb the poetry without having the visual effects and movements of the cast become an overkill.
This is a talented company, but their craft would be better attuned to other forms of writing.  "Under Milk Wood" was not a great radio success for nothing.  The lyricism of the poetry is not attuned to so much physical threat re, and they made uneasy bedfellows in this production. * *

◄ Can your Poetry save Turton Tower?

Performance Poetry at the Edinburgh Fringe ►


No comments posted yet.

If you wish to post a comment you must login.

This site uses cookies. By continuing to browse, you are agreeing to our use of cookies.

Find out more Hide this message