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Blue

 
 
is a veil drawn to distract;
the colour of God -
an unforgettable sky -
 
and in shelter of this,  a virgin;
sacred  pulses of unease
and a church of unified pretence.
 
Pulled at the sleeve
of this blue acid
tear of  streetlight,
 
is the spill of yellow -
an idiot full to the brim;
the vein that burst for heaven.
 
What marks that gulf is a woman turning,
an impression of blue on her skin;
applied Egyptian tracks to death.
 
She is perhaps a Mediterranean
to set aside your everyday;
a blue sun that devours,
 
spreading its arms open
to the billing noon.
In this, each blue given, blotted, swirled,
 
curled into the curious
twin fish of
life
 
is the sphere of an iris
from where you stand;
an uncertain portrait.
 
 
 
 
 

 

 

◄ Grazed

Discipline ►

Comments

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Laura Taylor

Thu 8th Nov 2012 12:22

Jampacked full of hugely evocative imagery - your writing is changing and flowing so fast these days, and this one seems to have more...what's the word...form?structure? It is less fluid/stream of cons whilst still holding onto the process that kicks it off. I know what I mean!!

Love it, fantastic piece. I read those first 3 verses in awe.

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garside

Tue 6th Nov 2012 15:14

i like this edit better and feel the poem emerge from the inspirational earlier draft and agree with Darren Thomas' views


that's the 2nd line in Mikhail - that mean you didn't read the rest? when i see this kind of comment i sigh and want to understand what it means in relation to the poem - if it is that you didn't read because of the word god then why bother commenting at all?

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Mikhail Smith

Tue 6th Nov 2012 10:41

I was with you till you mentioned god. mikhail x.

darren thomas

Mon 5th Nov 2012 17:16

There are always significant things happening in your poetry Marianne. Your lexicon alone is usually worth the entrance fee.

I read the lines in reverse also, to try and work out what it is about your style that's intriguing? And the constituents still sound poetic!

Give my regards to G.

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