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The Vapours

The windows weep for wilder air

to sweep the ghost imprisoned where 

I sleep these widow weedy days;

your smell still bathes my pillow case -

love’s detritus and battle stains

adorn the sheets I will not change.

I rub the pane and through the swish

see women spitting gossip lips:

the sideways  nod and lifted trunk,

those folding arms that say harrumph!

The Valiums accumulate;

I maunder by until it’s eight

when I can open up the plonk -

sure, I can stop just when I want,

but let it still the whispered  hiss

imperilling this edifice

I built with you, my handsome toad,

who sought solace within the stove.

Come, let us draw the blind to black

and make me liquid of your gas.

 

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Comments

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Ray Miller

Mon 23rd Apr 2012 20:53

Nick - What is this proper poetry of which you speak?

Isobel.I certainly do welcome honest critique. There isn't enough of it on WOL!No problem at all with your comments. Elsewhere, folk have felt that the harrumph line is "too good to lose" but the preceding trunk line is not so good.

Cynthia.The poem wasn't meant to be funny but now, with the benefit of some distance, I can see that it veers that way in the 2nd half.

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Cynthia Buell Thomas

Sat 21st Apr 2012 16:39

I had to start twice because I actually chuckled at the alliteration and internal rhyming of the first three lines - the 'eeps' especially. But 'widow weedy' is really good, and I did get on with the fourth line etc. Rhyme and metre seemed most apt.IMO, the poem has a very Gothic plot. The 'harrumph' is well placed, pulling the poem further into low comedy which is suggested by its very title, 'sheets I will not change', the pomposity of 'I maunder by', 'imperilling this edifice' and the tongue-twisting 'who sought solace within the stove.' I think the poem is meant to be funny. I do apolgise if I've misread the intent.

BTW, I agree with Steve: 'love's detritus' is fairly well known. But it fits here, because it is a bit of a cliche.

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Isobel

Sat 21st Apr 2012 10:19

I'd agree that serious poetry can be written in rhyme and metre. My all time favourite poem on here is 'Lifelines' by Anthony Emmerson and it rhymes. Perhaps it has something to do with what metre we choose - it's hard to put a finger on it for me. The aabb pattern works better for less serious poetry I feel - though I concede that it's a personal thing.

I think the poem would be stronger without the plonk/want and trunk/harrumph line though.

I say this because you give and welcome robust critique. It is better to be commented on than ignored, I think - and I find it hard to be less than genuine.

As I said earlier - the opening lines are lovely. I love the last two lines also - they have echoes of Shakespeare - and you can't get much better than that.

<Deleted User> (10123)

Sat 21st Apr 2012 03:50

Mustn't wash that spot on your cheek where the first kiss fell. I liked the notion of the [bottled kiss] helping out a bit.
Moving away from this particular poem for a mo, Keep the skills of writing poetry 'properly' this new stuff is wise, slick, witty but somehow lacks the necessary work to be more than unfinished! You stick with the proper stuff, like wot I does - ta muchly, Nick.

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Ray Miller

Fri 20th Apr 2012 19:46

Thanks, Yvonne and Steve, very kind of you.I've not come across "love's detritus" before myself, but I'll take your word!

I had a What shall I do now? moment a few weeks back, Steve. I thought about sending stuff off to poetry mags. So I looked up a few and it soon put me off - they're all cutting edge, looking for challenging writing that pushes boundaries back and have their very own ethos. Probably a Mission Statement too. I can barely push the bed covers back and I don't know my PDFs from my attachments. So bugger that.

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Yvonne Brunton

Fri 20th Apr 2012 00:18

I'm with you on this Ray. In the hands of an expert (you) the rhyme and metre enhance the subject matter and you have certainly captured the sombre, hopeless helplessness of the newly bereaved. 'The sheets I will not change', Sure I can stop just when I want'
It certainly leaves me with a feeling of sadness. XX

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Ray Miller

Thu 19th Apr 2012 21:51

Thanks, Isobel. The belief that rhyme and strict metre are invariably at odds with depth of feeling or sadness is common enough these days. I don't share it myself, though!

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Isobel

Thu 19th Apr 2012 13:41

This is a curious one Ray. It seems like it should be sad because the subject matter is sad - I'm presuming that the spouse took his own life and that the neigbours now gossip, while she mourns the loss.

I love the opening lines but struggle with the rhyme later on. Strict rhyming pattern doesn't go hand in hand with sadness for me - I need a freer scheme. That's just my opinion though.

Isobel

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