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The Courage Pattern

 

The ankle lost in snow,

turns,

the girl knows, dipping powder,

making granite fair,

but not so.

For the razor shows the impure,

the lack of refined lash

to fan the fire,

the kohl dripping down a path,

and the lie of love aghast,

seeing her in the cold light of day.

Every autumn, she faints

under the brittle knuckles,

the path, obscene, a circle upon circle,

spinning lithograph,

locking her up fast, no deed undone, no lesson learnt.

"She should choke on her mad,"

and the  white coats button up. They line her mouth with glue.

If she talks she must not eat,

if she walks, she must retreat,

all the learning is defeat,

and will stuff the smile with a cork.

Countries lost, music fasted,

she is no more a scholar just

a selfish scar, weeping,

and what is the lasting for? If lasting is not for?

And if the lasting is to endure? Why could she not explore?

Confusion dieted the cure

and it is not allowed.

Repent, repent, repent, the sickness is spent,

but it dents. A cobweb stronger than a jaw.

 

 

The ankle is lost in snow, the girl knows,

she has no where left to go,

and her courage pattern before,

is a mirage,

far and never more.

◄ The Eighty Eight Handshake

Where The Paper Falls. ►

Comments

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Cynthia Buell Thomas

Sat 18th Sep 2010 17:02

I totally love this, and I'm not the least sure why. I've read it many times, and seem to glean a bit more with each reading. It is imperative to follow your punctuation. I just seem to remember a picture of a girl, ankle-deep in snow, turning back to look at the viewer, her destiny a dark background, indistinct. 'confusion dieted the cure'; 'stuff the smile with a cork'; 'selfish scars' are only some of so many amazing ideas.

It does remind me of Dylan Thomas' work. I have read some of his poems out loud, to myself, and actually started to cry, for the sake of Beauty, I guess. No explanation ever articulated.

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