Donations are essential to keep Write Out Loud going    

Resting in the Labour ward.

1.  Gestation

 

The stupendous climax

After a long gathering of forces:

The womb, this flexible metamorphosis,

Imbued with a living being to care for,

Struggles and grows, grows enormous.

Life given room to grow within my life.

Not as a craft, fitting limb to limb,

But opening out and accepting;

Offering strength; offering energy, food.

In this mystery, this communion;

My food transformed, as my body gives it unsparingly,

builds bone, puts flesh on muscle.

 

Another life; the presence of another,

In an unspoken, passive internal maturing,

Without the power of hand or eye;

Intuitive, body whole synthesis of action;

In going, so that the innermost is growing,

burgeoning in the darkness.

 

Turning and restless in her cradle

My child bestirs herself.

I watch my belly heave and flop

Tight around her contour.

My child is resting in a textbook curve,

Oblique, a classic case, head down.

Her toes catch on my ribs, she kicks my side.

I rest, and all my resting gives her strength.

My body makes her, weaving in the dark.

My bones nourish her. My blood breathes her.

I bear her, lovely burden, and I rest.

 

I gave myself and opened to my love,

Who made me his and filled me with delight.

So now springs up this inner, love's response.

And I between them, rocked in love's strong arms,

Cradle my love, the love I bear my love.

 

That life can come from violence I know,

But this life moves like secret flakes of snow

Magic upon the darkness

 

2.  Restinq

The Maternity Ward is a series of pitfalls.

For example the sleeping pills.

They bring me in to rest but put me among the labourers.

Then bring me drugs to help me sleep.

When I refuse the pills they warn:

"Tonight will be noisy, you will need drugs to sleep."

I see the trap and avoid it.

To rest is not necessarily to sleep.

To sleep drugged is not restful.

To stay till Thursday resting, on the consultant's orders.

Is easier than flouting his authority.

In a system where authority is the ruling principle.

An order to induce will come from the same authority,

Nothing will induce me to agree, I say,

But my agreement will not be requested.

I am not expected to have an opinion.

 

3.  Inductions.

Pain is the measure that the nurses understand.

Pain where? How frequent? Has the pain begun?

Pain gives them rights to act upon your body.

They qualify for pain.

Girls in gingham with a purpose in life,

Pupils in a kindly school,

Administering bottles and tubes,

Drops counted with precision.

Till the pain starts.

If baby's ready and the date seems right

They are licenced to induce the pain

Whether the body wills it or not.

 

4.  The nurses

 

Pethedin, the lotus flower,

They grant like a prized gift,

A reward for long labour.

Gas and air, least threatening,

You can take or leave, use it as you will.

These are hazards of the journey, mark them well.

Do not rely on nurses as signposts to success.

They are not aware of your part.

They are the principle actors in their own comedy.

Which takes the form of marshalling a procession,

Keeping it in good order,

Sending it along the road.

They do not understand that each traveller has her own journey,

To them we are a jostling human river: Patient, passive, carried.

 

Just as a child floats twigs along the stream

And if one catches on the bank,

Nudges it out again into the central current;

So they frown, when pains dont come to order,

With bottles and tubes they nudge the body back to work.

Then when the pain is strongest,

Come with a needle, ministering angels,

And take away the body's self control.

 

5.  The Labourers.

 

Some enter the lists with gritted teeth,

Seething in hidden pain.

Determined to be silent, till the sharp,

Lost cries of agony are wrung from them

Then sobbing in the sheets.

Others have some routine of breathing hard,

And work their way through wave on wave

Like slaves turning a mill, a plodding strength

Driving them through.

And intermittently

They ask the Sister, How much longer now?

 

The gypsy ones, confounding all the rules,

Rushed in with smiling faces, talking calmly.

The waters broke while shopping, on a bus.

The nurses seem disordered. All the fuss

Is so much nonsense about something small.

The head is out! They rush her down the hall,

Panting a little, not in pain at all,

And twin girls drop like puppies into eager hands,

Happy to make aquaintance with the world.

 

◄ Dawn Chorus

from the Bacchae ►

Comments

Profile image

Freda Davis

Mon 19th Oct 2009 10:39

Thanks for your comments Stefan, and Winston, and Cynthia. I read this yesterday on Gaia Holmes Radio Show, on Phoenix FM, a Community Radio in Halifax. Gaia said it might turn into a play. It just shows what you can do when you have time on your hands! I don't often get a period of enforced inaction. It makes for longer writings. Time to stop and stare. We all need it.

Profile image

winston plowes

Fri 16th Oct 2009 21:36

Can I please join in in the Freda fest! I heard Freda read this last week, It was every bit as good as on the page. Brought back so many special memories for me so great to see it here. Well done Freda. (Two typos - Licensed & Acquaintance) Winston

<Deleted User> (6895)

Fri 16th Oct 2009 21:26

just like a man-sorry-i meant thank you freda-but since cynthia is in the vicinity-thank you just the same also!

<Deleted User> (6895)

Fri 16th Oct 2009 20:17

as a man,if ever i had not fully understood pregnancy?well i do now! so very very deep and beautiful words-i cannot express praise enough-thank you cynthia!

Profile image

Cynthia Buell Thomas

Thu 15th Oct 2009 19:23

Freda, how wonderful to have you back, and with a show-stopper! There is too much that is so good to start picking special words or lines for praising; it is several poems in one, almost a novel. Your material is insightful, embracing so many aspects of pregnancy and birth; imagery and flow are really good. The final 'verse' is outstanding, like a clash of cymbals.

If you wish to post a comment you must login.

This site uses cookies. By continuing to browse, you are agreeing to our use of cookies.

Find out more Hide this message