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The Fall

 

You know
That precipice
You stand
On the end
You look down
Maybe you see
Traffic
Maybe you see
The sea
Maybe you see
Your whole life
Flash
Before 
Your eyes
Maybe you see
Everything
And maybe
You see 
Nothing
But you stand there
Again
All the same
With the absent wind
Blowing 
Somewhere 
Between your
Ears
And the wild
And you wonder
How it is
You got there
And what it is
You're supposed 
To do
Because 
You've spent 
Your whole life
Throwing yourself
In
Never worrying
About when you 
Land
And now
Suddenly
You do
And 
Amidst the
Tangle
Of your potentially
Crushed body
And soul 
You wonder
Why you 
Never noticed
Before 

◄ Silver and tin

Life tales ►

Comments

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Anthony

Tue 2nd Dec 2014 13:33

Interesting points Harry

The capitalisation, I guess, are because each sentence start is a footstep or a stamp so it's to stress words or ideas as they role
This makes the poems jerky which maybe are the cogs whirring, wondering about the 'why'
There isn't really much happiness or delight in my poetry, it's a voice toying with the facts like a rubik's cube, trying to make the sides match to make some sense of why things work this way with no real idea why the colours are as they are or why the shape is round but feels square ...
that's probably not much help is it?
I'm glad you enjoyed thinking about this one though

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Harry O'Neill

Tue 2nd Dec 2014 00:10

Twilbury,
Most of your poems (like your profile `Pocket` one) seem to operate by contradicting their own terms (perhaps not `Sheepless`). I`ve
come across this kind before and wonder why the
poets seem to take pleasure in it and don`t seem to express more surprise...I think I mean: Why do they seem so happy about the fact of it, and never seem to wonder about the why of it?

On the form: I could guess that the `thinness` of the lines and non punctuation might perhaps be to `rattle` the contradictions on briskly... but why
the capitalisation?

It was enjoyable thinking about this one.

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