Pascale Petit wins Keats-Shelley poetry prize with 'Indian Paradise Flycatcher'

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Pascale Petit has won the £1,000 Keats-Shelley poetry prize with her poem ‘Indian Paradise Flycatcher’, in response to the competition theme of Songbird, marking the composition 200 years ago of Percy Bysshe Shelley's ‘To a Skylark’ and the publication in book form of John Keats's ‘Ode to a Nightingale’.

Pascale said: “I entered two poems, added ‘Indian Paradise Flycatcher’ almost as an afterthought, as it doesn’t focus on song but appearance. I am so grateful to the judges for seeing what I hoped was in the lines and for also noticing that the shape of the stanzas mimics its zigzag bob through the air. This poem will be published by Bloodaxe in my next collection Tiger Girl in September, and it’s a great boost to see one of my birds (among the tigers!) have a spotlight.”

About the poem, she said: “I saw several Indian Paradise Flycatchers in Bandhavgarh national park, the tiger jungles of central India, exactly this time last year, in pre-Covid times. I tried to capture what the white male morph is like – what it was like to try to observe him, a scrap of melting snow in the heatwave, with his tail streamers and his jerky flight, too fast moving to capture on camera, then vanished. The temperatures soared, parks flooded during monsoon, drowning many endangered species. Then the world’s forests caught fire. He seemed like a small white melting flag, as if the natural world was declaring peace – or surrender."

The Keats-Shelley essay prize was won by Rosie Whitcombe from Sheffield for ‘Connection, Consolation, and the Power of Distance in the Letters of John Keats’. The Young Romantics poetry prize was awarded to 16-year-old Joyce Chen from London for ‘Senbazuru’, a poem about the paper cranes associated with the bombing of Hiroshima. The Young Romantics essay prize was awarded to Esther Laird from Bath for ‘Can Shelley Help Us  Save The World?’, an essay on the link between Shelley's convictions and beliefs about the natural world expressed in his writing and his life and mankind's current struggles over the  climate crisis.

Founded in 1903, and based in London, the Keats-Shelley Memorial Association supports the Keats-Shelley House in Rome, where John Keats died in 1821. The KSMA purchased the house in 1906. Over the past century, the KSMA have transformed the first-floor apartment into a museum and library dedicated to the Romantic writers, above all those - Keats, Percy Bysshe Shelley, Mary Shelley, and Lord Byron - with strong attachments to Italy. The KSMA is also responsible for maintaining the graves of Keats, Shelley, Joseph Severn and Edward Trelawny in the non-Catholic cemetery at Testaccio, Rome. 

The prize judges were chaired by journalist, writer and novelist Simon Barnes, with poetry judges Deryn Rees-Jones, and Will Kemp.

 

     

     Indian Paradise Flycatcher

     by Pascale Petit

 

     your tail two comets

     of ice crystals

     your face a night-

     blue sheen

 

     as if dipped

     in starlight

     your wings snowdrifts

     from a past climate                         

 

     you descend

     in a heat haze

     and when you dip

     into a pool

 

     you’re a pen

                                     sky-writing

                     on a mirror

     a flick of flakes

 

     melting

     a jet’s contrails

     telling us

                                                     about a sun fuelled                        

 

     by frost

     Too fast for my eye

     your tail streamers

     weave an alphabet

 

     to cool the earth

     you dinosaur-relic

     little white flag

    from the Holocene

 

     

     Senbazuru

     by Joyce Chen

 

     one thousand paper cranes

     Hiroshima, 1955

 

     Once, a crane was caught

     in the creases of a small hand

     pale and fluttering under thin sheets

 

     And small hand soothed the bird, smoothing

     her wings into proud slices like

     cheekbones taut in paper-skin

 

     And fashioned a family from gauze and crepe

     who flew away in fading pulses, shedding

     shards of a wish whispered only

     by clouds passing in and out,

     In and out, bearing rain.

 

     Crane stays, and gently folds her hands;

 

     Unfolded, her flesh is blank and

     Fresh like the sail of a boat,

     A hand for living

 

    PHOTOGRAPH: BRIAN FRASER 

 

 

◄ Merseyside poets invited to contribute to World in Lockdown 'patchwork' poem

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