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Cry what shall I cry?

by Cath Nichols

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What I Do That's New is a series of articles in which poets share their trade secrets with the rest of us i.e. they describe aspects of what they do that is either innovative or just plain clever.
If you would like to feature in a future article in this series then contact feature editor Dermot Glennon dermot@writeoutloud.net

Reading and attending events hones your poetic sensibility -...

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Monday 1st June 2009

Freeform as a bird

by Steven Waling

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What I Do That's New is a series of articles in which poets share their trade secrets with the rest of us i.e. they describe aspects of what they do that is either innovative or just plain clever.
If you would like to feature in a future article in this series then contact feature editor Dermot Glennon dermot@writeoutloud.net
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The first time I...

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Friday 1st May 2009

An iron hand in a velvet glove

by Nabila Suriya

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What I Do That's New is a series of articles in which poets share their trade secrets with the rest of us i.e. they describe aspects of what they do that is either innovative or just plain clever.
If you would like to feature in a future article in this series then contact feature editor Dermot Glennon dermot@writeoutloud.net
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My writing began...

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Monday 16th February 2009

We are (non-rhyming) poets, and we're not cognisant of it

by Helên Thomas

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What I Do That's New is a series of articles in which poets share their trade secrets with the rest of us i.e. they describe aspects of what they do that is either innovative or just plain clever.
If you would like to feature in a future article in this series then contact feature editor Dermot Glennon dermot@writeoutloud.net
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Here’s what I do...

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Monday 2nd February 2009

Bare assonance bear-faced chique

by Sean Kavanagh

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What I Do That's New is a series of articles in which poets share their trade secrets with the rest of us i.e. they describe aspects of what they do that is either innovative or just plain clever.
If you would like to feature in a future article in this series then contact feature editor Dermot Glennon dermot@writeoutloud.net
_________________________________________________
Well, I’m sure i...

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Monday 19th January 2009

Misty watercolour memories...

by Tony Curry

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I suppose what I attempt to do is to connect to an audience. Which doesn’t sound very groundbreaking so far does it? But I am really interested in that relationship between entertainment and (if you like) the ‘high minded world of poetry’.
Therefore rhythm is important and the relationship that spoken word can have with singing for instance. To this end, I sometimes experiment with alter...

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Monday 5th January 2009

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